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100 | 1 | _aKONRAD Tatiana Prorokova | |
245 |
_aReporting, reflecting, participating: _bmedia intervention in the Balkan War in welcome to Sarajevo, no man's land, and the hunting party/ _cTatiana Prorokova-Konrad |
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260 | _c2022 | ||
520 | _aThe Balkan War was a conflict that provoked many parties to intervene. The war was also covered by a number of journalists, who carried out what we may call a "media intervention." This article analyzes Welcome to Sarajevo, No Man's Land, and The Hunting Party to demonstrate that it was the media and specifically journalists who drew the attention of the international community to the horrifying events that took place in the former Yugoslavia. Additionally, the article examines how the films brought the war to a personal level, thereby making the journalists direct participants in the chaos of conflict. | ||
650 | _aWAR JOURNALISM | ||
650 | _aTHE BALKAN WAR | ||
650 | _aFILM | ||
650 | _aMEDIA INTERVENTION | ||
773 |
_aJournal of Military Ethics: _gVol 21, No. 1, April-June 2022, pp. 4-18 (63A) |
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598 | _aMILITARY, WARFARE | ||
856 |
_uhttps://www.tandfonline.com/doi/full/10.1080/15027570.2022.2064951 _zClick here for full text |
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_i69422.1001 _rY _sY |
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_c42486 _d42486 |